I wanted to cover this story and my thoughts on it, primarily because this producer is one whom I have grown to hold in extremely high esteem over recent years. I’ve also read nothing about the debacle that is not succinct and predictably uniform in its content as a result of being published by the likes of THUMP or MIXMAG, so this will be my unmitigated personal response.
Previously this June Marijus Adomaitis or Mario Basanov or Ten Walls very idiotically said some absolutely revolting homophobic remarks on Facebook. Some of which I wouldn’t even like to copy because of their appalling vulgarity and disgusting use of sexual imagery but I’ll post a small extract from them below. He described gay people as a ‘different breed’ and likened homo-sexuality to the pedophilia of priests. It is a mind-bogglingly stupid thing even to think, let alone publicize on the world’s biggest social network. It was a tremendous shame to read:
‘Unfortunately a priest’s lie for many years was uncovered when children were massively raped.
Unfortunately the people of other breed continue to do it and everyone knows it but does nothing.’
I was staggered about this because the quality of his music, its depth and the sheer amount of it that exists is more than sufficient testimony to his genius as a creator. He is also every bit as good a DJ as he is a producer, which is obvious from listening to his mixes and sets like this for example. For me this genius is evident mostly in relation to his music produced under the name of Mario Basanov, whom a devastating amount of people seem to be completely unaware of the existence of. I genuinely think anybody would like his music who is in possession of a half-decent soul. The sounds are always extremely pleasing to the ear and demonstrate an extremely erudite and competent knowledge of music from around the world. The music has a miraculous ability to engage me as a listener, the vocals are pretty much mesmerizing, tracks such as Under Your Feet, Slip Away, We Are Child Of Love, and I’ll Be Gone are perhaps his finest.
Then we move onto his second and more popular alias; Ten Walls. I must say I only like three tracks from Ten Walls; Gotham, Requiem and then Walking With Elephants which much like The Inbetweeners were actually so good that they won over the national populace and subsequently became almost unplayable. I must have heard Walking with Elephants four times in the same day at Bestival at Port in 2014 and by this time the novelty had worn off. Gotham however I must have listened to thousands of times and I am able to return to it even now for its enchanting and peculiar Gothic quality. These tracks definitely demonstrate a new and trademark approach to electronic music. I very much enjoy their melancholy tone- smooth melancholy sounds in music are always the best for a person who fails to perpetually subscribe to facile bursts of optimism. They are dark and sad but uplifting because they reconcile one with the dark and the sad whilst flattering the ear drums by giving them a bath of glorious electronic profundity. The Venezuelan duo Fur Coat have taken the wheel for me now in his absence but we all know Adomaitis has so much more to offer, being only 32 years old.
Which brings us back to the scandal, after which rather predictably he came out with the following:
‘I want to apologize for the former post in my account. I am really sorry about its insulting content which does not reflect my true opinion. I hope this misunderstanding will not provoke any more thoughts and opinions. Peace’
Until I fully investigated what he said in the first place and read his very recent declaration of apology I was under the wishful belief that what he said was in fact a parody of homophobic fascism, but unfortunately I was wrong. It follows:
‘I’m Marijus Adomaitis aka Ten Walls. Earlier this year I posted comments on my Facebook page, that I deeply regret. My post was linked to homophobia and was very offensive. I am ashamed to have hurt so many people: my family, my country, my colleagues, my friends, the Global LGBT community and many others. Since then I have taken time out to reflect on what I did and work out a way of apologizing that expresses how sorry I am.
I am saddened by my own behavior and the impact of my actions on others. I offended a lot of people, was the cause of horrible debates, wrecked both my own and the confidence of others and ruined the plans for many people I was working with. Understandably, I was labeled homophobic and I am not and never have considered myself to be this way. I have to tell you that my action was completely out of character and done at a particularly angry and stressful time in my life. This is not an excuse, but I would like you to know that the content of my post is not a true reflection of my feelings. For many years I have been happily working and collaborating with people from different cultures, religious and sexual attitudes. I have always respected everyone.
My post made no sense, even to me. I’m a musician. My music is for everyone in this world. I always try to unite people to promote respect, equality and tolerance, love and peace. It is my priority as a music maker, in music there is no space for discrimination. It is my intention to do something in my home country of Lithuania, to support LGBT groups and educate others on acceptance and tolerance. I am now part of a group of people who have created an electronic opera ‘Carmen’ with a strong message of this. I hope my involvement in this project will be the first step to educating others in my home country that homophobia is simply not acceptable and that everyone should be free to live the life they choose.
I am sorry for what I have done. I am sorry I let myself down. I hope you can forgive me and that one day through my actions and future behaviour,I will once again be accepted for my music.
Marijus / Ten Walls’
You see the thing is, once you do something quite as tragic and ignominious as Ten Walls did and you get caught red-handed to the point where serious love has been lost by the public, in any situation practically, an apology is always going to be completely necessary but at the same time also a completely worthless endeavour. It is necessary for two obvious reasons; Firstly in order to reconcile oneself with your newly created adversaries and try and rectify the upset that one has created. And secondly the apology is necessary for the benefit of his own personal welfare in order to re-establish his life and career. This is where the worthlessness of the apology comes in because we will never know which reason he was concerned most with when apologising, and we will never know its true value or purpose. Even if the apology does pledge his support to LGBT groups across the Baltic states, we still do not know!
Midland was one of the skeptical and vehement doubters of the sincerity of this apology and excoriated it thus: