Cubicolor have rapidly developed into a precious hidden gem that even those who are not sold the meme of electronic music would be all over if only they were aware of their existence. The AnjunaDeep spectaculaire specialise in exquisite male vocals (that sound strangely familiar) and dreamy sounds involving a wide array of instruments [musical ones, would you believe it?]. They released their first album late in 2016 titled Brainsugar. Intriguingly the cover image is a wonderfully colourful particle of MDMA under the microscope. There is something deeply colourful about Cubicolor’s music also.

Now you’d be wrong if you thought that this was a conventional electronic act. There’s nothing thumping and repetitive about this stuff. Only soft, euphoric sounds and fantastically simple lyrics that are sure to stay on your mind.

You can get whatever you want, you can get whatever want.


We both know these waves never reach the shore. 

I saw some punk on Youtube try and say it was deep house the other day. Needless to say I tried to set him straight on the matter. (I mean it could be Deep House but isn’t it about time we saw the futility of ascribing genres to something as vast, rich and bounteous as modern electronic music?) 

The best tracks on this album are perhaps Dead End Thrills, Falling, Mirror Play and Machine Keys (pure piano). I first heard a remix of Dead End Thrills in a Tale Of Us set at Afterlife, which shows how widely appreciated they are by artists of a completely different dynamic. Falling is also magnificently remixed by the massive Edu Imbernon. But all are magnificent creations in their own right and are not bettered, only modified for an entirely different effect in remixes.

This is the kind of act who, when they sing the chorus, you get so engrossed in it that you actually levitate a bit. Expect layers upon layers of sweet sounds, and deep, encapsulating plunges into unexpected, moments of inescapable musical genius.

You need Cubicolor in your life.


Many electronic fans will have first been introduced to Sevendoors by his appearance in the second highest viewed boiler room of all time. Christ, what a mix that is. It should be added to the GCSE curriculum. Here a spectacularly debonair Solomun is in and amongst the crowd, making hand signals that only a don could pull off, glass of wine at the ready, doing what comes naturally to him- mesmerising everybody. After doing this for an hour, he sticks Movement of Whale On and everyone claps, whistles and bounces around in utter jubilation, launching them deep into unknown waters. The track is so rich, and fluctuates all over the place, it’s deeply uplifting and laced with a grandeur semblant of a herd of blue whales, leaping out of the water, and then dancing off together into the vast expanse of the ocean.

SevenDoors certainly has a unique source of inspiration that makes him quite extraordinary. We all know the slow, long and hollow calls of whales that reverberate through the ocean. There is a whole library of these sounds that can be found on Youtube, which demonstrates how useful people find these to be, mostly for the purposes of stress relief, relaxation and meditation. But SevenDoors saw a new potential altogether. His music attempts to take the whale and bring it into melodic techno.

Almost all of his tracks are named after species of this creature. Tracks such as Orca, Mesplodon and Bowhead all shine with SevenDoors’ cetacean style, and abound in his own unique sound. But my favourite by the artist is Albeiro, released on Get Physical, which seems to have gone quite unnoticed. It’s less soothing than the other tracks, and has heavy, dark overtones guaranteed to make you want to get up and have a little dance to yourself wherever you are.

I will always be thankful for SevenDoors for this powerhouse of a mix which made me understand he is not merely a producer. Every single track on it is an absolute anthem from the latter part of 2016 and he blends them together with excellence. It includes Mano Le Tough, Tale of Us, Trikk, Locked Groove, Hunter/Game, Recondite and many other producers who are bang on the money these days.

SevenDoors has mastered the balance soulful and hard techno, and excels at performing both. For example, check out his contribution to the Soulful Techno Podcast, which is a delightful, soothing mix for all the family to enjoy, contrasting to the harder and darker cocktail of dance-floor bombs above.

I was quite surprised to discover that SevenDoors is from the UK, as sadly he rarely performs here and goes largely unappreciated. I hope he comes back to his native land sometime soon. Don’t forget your snorkel.